SKU: 68436772500

GLEAN (EN) 1, Autumn 2023

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Description

GLEAN (EN) 1, Autumn 2023A new name and office Last summer, our editorial team moved into a building next to the L'Acadmie royale des beaux arts in the heart of Brussels. It was the first step towards realising a long held dream: making an international art magazine based in Brussels. From 1 September, we will continue our work under a new name: GLEAN. To glean means to gather information or material bit by bit, an activity and practice that reflects our new editorial slogan,

A new name and office
Last summer, our editorial team moved into a building next to the L'Académie royale des beaux-arts in the heart of Brussels. It was the first step towards realising a long-held dream: making an international art magazine based in Brussels.

From 1 September, we will continue our work under a new name: GLEAN. To ‘glean’ means ‘to gather information or material bit by bit’, an activity and practice that reflects our new editorial slogan, ‘Art is Slow Attention’. The new name is also a reference to the documentary Les glaneurs et la glaneuse (2000) by Brussels-born filmmaker Agnès Varda (1928-2019).

GLEAN will continue to appear ten times a year: six times in Dutch and, starting in September, four times in English, as a quarterly magazine. Our designers are busy creating a new website. You'll soon be able to find our articles on our digital platform.

Guest Editor: Hamedine Kane
For each issue of GLEAN, we invite an artist to serve as Guest Editor, and to connect us with two writers and a visual artist who are important to their practice. The Guest Editor for the September issue is Hamedine Kane, who has asked philosopher and theorist Seloua Luste Boulbina, writer Orcel Makenzy and visual artist Brahim Tall to contribute.

Kane lives and works between Brussels and Dakar. Through his practice, he frequents borders, not as signs and factors of impossibility, but as places of passage and transformation. Kathleen Weyts spoke with him on the eve of the opening of the Kaunas Biennial in Lithuania.

Three women in key leadership positions in Brussels
Zoë Gray, Kasia Redzisz and Helena Kritis are each taking on new leadership positions at Bozar, KANAL and WIELS, respectively. Els Roelandt met with the three to discuss new horizons looming for the Brussels art scene and how to work together sustainably.

New Artist Edition: Marie José Burki
The cover image for the first issue of GLEAN is by Marie José Burki. The photograph is also published as a limited artist edition for GLEAN. Untitled (2019) is a colour print on Baryta paper produced by KZG Brussels, measuring 35,83 cm x 55 cm. The print is numbered and signed by the artist in an edition of 15.

The price of the edition is € 1.500, incl. VAT. The edition is on view by appointment at our office at Zuidstraat 146 rue du Midi, 1000 Brussels. Purchasing our artist editions enables us to keep publishing GLEAN magazine. Order your print at editions.glean.art.

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SKU: 68436772500

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I was fairly happy with my Epson ET 2800, but was told that I'd get better colors with the F170. So I bit the bullet. The installation went smoothly and I was printing in short order. It was when I started printing items that had some dark gray that I noticed the problem. It was printing green. I contacted Epson tech support and they answered the phone almost immediately. (And how rare is that??) The woman I spoke with seemed to be familiar with the problem and advised me to modify the printer preferences and change the color correction from "ICM" to "No color correction". Well, it wasn't printing green anymore. Now the grays were brown. At this point, she ran out of ideas and gave me an email address for the second level of tech support and asked if I'd send a photo of the printed fabrics showing the problem. I did. That was over three weeks ago. I've sent a couple of followup emails, but they're ignoring me. But the best news was discovering that there are no returns on this product. I didn't think that was a thing with Amazon and I've never had any problems before. So now the 30-day return window is about to elapse and it appears that I'm stuck with an oversized doorstop. In the photo I'm including with this review, the fabric on the upper-left was printed with my Epson ET 2800. On the upper right, the F170 with ICM color correction. On the bottom, the F170 with no color correction.
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