SKU: 75146681340

RPM Front Right Upper & Lower A-arms ARRMA Kraton 8S & Outcast 8S 81562

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Description

RPM Front Right Upper & Lower A-arms ARRMA Kraton 8S & Outcast 8S 81562The ARRMA Kraton 8S & Outcast 8S are 26 lbs. (12kg.) of high flying, dirt shredding, jump killing fun! If your A arms arent up to the abuse these massive monsters can dish out, look no further than RPM. Our replacement front A arms are designed with the backyard basher in mind and can handle some serious abuse and come back for more. Our front lower A arms have a triple beam style construction designed to spread impact energy across all three beams.

The ARRMA Kraton 8S & Outcast 8S are 26 lbs. (12kg.) of high-flying, dirt shredding, jump-killing fun! If your A-arms aren’t up to the abuse these massive monsters can dish out, look no further than RPM. Our replacement front A-arms are designed with the backyard basher in mind and can handle some serious abuse and come back for more.

Our front lower A-arms have a triple beam style construction designed to spread impact energy across all three beams. Each beam’s cross-section is a whopping 5/8” (15.8mm) tall x 3/8” (9.5mm) wide. These massive beams reduce unwanted flex during normal suspension movement, yet allow impact-absorption during those not-so-perfect landings and crashes. We also moved the inner cross brace away from the chassis, eliminating the droop stop entirely. While this may seem counter-intuitive, our test truck’s chassis was bent at the droop stops, clearly illustrating that extreme impacts were too much for the chassis plate to handle. After all, there’s not much worse than a bent chassis.

Our front upper A-arms use a dual beam construction where each beam is a massive 1/2″ (12.7mm) tall x 3/8” (9.5mm) wide. We eliminated the tube shape over the hinge pin to eliminate built-in molding stresses while beefing up the leading edge hinge pin support to add some much needed strength and durability.

Both upper and lower A-arms are molded with fingernail slots that allow easy access to remove the aluminum support ring (not included) at the pivot ball. Made in the USA from our trademark blend of ultra durable materials, you can’t go wrong with RPM!

Version Notes: RPM A-arms work perfectly with 8S versions of the Kraton & Outcast using ARRMA #330569 Spring Perches. EXB models using ARRMA #330740 Spring Perches may experience interference issues at both the shock mount and sway bars. RPM does not recommend the use of our a-arms on these vehicles since modification of the a-arms may be necessary to eliminate bind at the shocks and sway bars.

Tech Notes: RPM A-arms for the ARRMA Kraton 8S & Outcast 8S are sold as one upper and one lower in each kit. One left (#81522) & one right (#81562) will be needed to complete the front end of one vehicle. RPM A-arms replace the upper A-arms from stock ARRMA #ARA330561 and the lower A-arms from stock #ARA330589.

Installation Notes:: Like stock A-arms, RPM Kraton 8S versions are sold without threads. If the pivot ball hole is difficult to thread using the pivot ball, RPM recommends thread tapping (tap not included) the hole for 3 – 4 threads, but do not tap any further. Additional cut threads will negate the thread-locking capability of our materials.
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Exchange/Return Notes
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SKU: 75146681340

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4.5 ★★★★★
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Donna Menchinger
Los Angeles, US
★★★★★ 5
Five Stars
Format: Paperback
Fun
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 9, 2017
M
Verified Purchase
MJ
Massapequa, US
★★★★★ 2
Bent
Format: Paperback
When the book came the cover was crumpled and bent so it was really hard to read
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Reviewed in the United States on January 6, 2020
N
Verified Purchase
N. Durham
Lowell, US
★★★★★ 5
Quite possibly the best Punisher stories ever told
Format: Hardcover
It's no secret that Garth Ennis' long run on the Punisher (particularly the MAX titles) has been nothing short of superb if not visionary, and this handsome hardcover collection, featuring three seperate one-shots, further proves that point. From First to Last begins with the Tyger, a story in which a young Frank Castle embarks on his first night of vengeance as the Punisher. As he has some mob men in his sights, he recollects to a summer in Brooklyn when he was a young man, and a shocking event that only further shaped Frank's inevitable path to becoming the Punisher. This story is good, but it's not anything really great, though John Severin's art is quite good. Thankfully, everything gets better from this point on. The Cell finds Frank turning himself in and convicted of his many murders and taken to the bowels of Riker's Island. However, Frank has a reason he's here, and it involves five men who all share a secret and a link to Frank that you'll never see coming. This story alone makes this collection worth picking up, and the art by Lewis Larosa (who also worked on the first Punisher MAX TPB, In the Beginning) is gritty, bloody, and brilliant. The third and final story is the spectacular Punisher: The End, featuring art by the legendary Richard Corben, which more than makes it worth checking out alone. As part of Marvel's "The End" line, this one-shot is just that, as an elderly Frank Castle finds himself as one of the last men on Earth after a nuclear holocaust has turned the world to ash and dust. Of course, there are still those that are guilty, and need to be punished. The last two stories alone are some of the best Punisher stories ever written, period. If you missed out on the one-shots when they were first released, now is your chance to read some of the best mainstream comic gold to come along in a long time, and this collection only furthers the notion that is discussed on the book's inside flap: Ennis was born to write the Punisher.
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Reviewed in the United States on December 30, 2006
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A.G.
Boise, US
★★★★★ 5
Three really solid stories here.
Art is top notch. We get three really nice stories of pre-Punisher Frank, mid-Punisher Frank and the end of Punisher Frank. I look at this book a couple times a year and Garth Ennis really did a great job on the character. The art by Severin, LaRosa and Corben were all great and fitting for their stories. Good collection if you can find it. Highly recommend.
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Reviewed in the United States on January 22, 2026
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The Critic
Port Orchard, US
★★★★★ 4
Vintage Castle
Garth Ennis renders one of his hectic stories with Frank Castle coming back to his origins. The first story deploys Frank's childhood and the unexpected consequences of it later on. I humbly believe the second part(The cell), is the best of this issue. It narrates the ultimate vengeance of Castle against those who took the lifes of his family, several years ago in the middle of a shooting at day light in Central Park. A mention must be done of the art in The Cell. The pencils of Lewis Larosa, the Inks & Finishes of Scott Koblish and Raúl Treviño's colors, leave nothing to desire and accomplish to portrait that classic look of Castle as a somewhat mature/old man still capable of hell when it comes to seek revenge for his family. The End, however, which puts Castle in a dystopian future of a post-nuclear bombing, fails to blend smoothly Garth Ennis' script with the caricaturesque art from Richard Corben and Lee Loughridge. There is a dissonance between this very old Frank Castle in an apocalyptic environment and the drawings that for some reason maintain a gap with previous artists. As a whole, From First to Last is totally worthy. Garth Ennis is back to team with Castle and that's all what counts. Cristián Gómez O.
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Reviewed in the United States on February 20, 2011

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