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Description
Generation Colour - c1349217888010 (#GCOLOUR_01)About: A series of highly visual designs by digital artist and programmer Robert Allison. "Generation Colour: Four initial colours are crossed with each other (and themselves) to produce ten more. This process is repeated, each expanding generation exposing underlying structure in finer detail. 25 results arranged on each piece." In Robert's work individual colours are defined as 'genetic sequences', realised digitally as a string of 1s and 0s. Each
About: A series of highly visual designs by digital artist and programmer Robert Allison. "Generation Colour: Four initial colours are crossed with each other (and themselves) to produce ten more. This process is repeated, each expanding generation exposing underlying structure in finer detail. 25 results arranged on each piece." In Robert's work individual colours are defined as 'genetic sequences', realised digitally as a string of 1s and 0s. Each is a kind of 'creature', encoded by a binary DNA, but then expressed as the usual RGB or HSV colour-map values. Because of this representation, colours can be mutated and crossed with each other within the computer to form new variations. Oversized pixels, rastered onto the image plane, are used to record these colours as they are created.
Visualising these operations shows how richness and complexity can emerge from simple processes iterated to a massive scale. The potential of the purely computational, the mechanistic, is explored as it approaches the boundary with the natural, the tactile, the 'real'.
Each series investigates a different combination of techniques, rendered for effect. The pieces are randomly seeded, and are a unique result from the process they express. They are titled by their 'Unix timestamp' - the exact time of creation recorded as the number of milliseconds since 00:00:00 UTC 1st January 1970.
Medium: A range of designs printed onto a canvas and stretched over a chunky box frame
Visualising these operations shows how richness and complexity can emerge from simple processes iterated to a massive scale. The potential of the purely computational, the mechanistic, is explored as it approaches the boundary with the natural, the tactile, the 'real'.
Each series investigates a different combination of techniques, rendered for effect. The pieces are randomly seeded, and are a unique result from the process they express. They are titled by their 'Unix timestamp' - the exact time of creation recorded as the number of milliseconds since 00:00:00 UTC 1st January 1970.
Medium: A range of designs printed onto a canvas and stretched over a chunky box frame
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4.6 ★★★★★
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Product Reviews
★★★★★ 5
Exceeded expectations in every way.
Size: 2' x 3' (Sheepskin shape), Color: Gray Tip, Size: 2' x 3' (Sheepskin shape), Color: Gray Tip
I purchased a pair of these a week apart, because the price seemed too good to be true. Instead, they have exceeded my expectations. I own a Buick with leather seats that look incredible, but are not comfortable on long trips, and my wife and I were preparing to leave on a 2200 mile round trip vacation. On the first day, we drove 700 miles, much of it through desert. We were tired when we reached our destination, but comfortable and cool for every mile of it. The sheepskins have made such a difference, that I have never removed them from the car. It is now July, with triple digit temperatures every day, surrounded by desert. The sheepskin keep us cool on every drive. I could have purchased sheepskin seat covers, but these provide the same comfort for a fraction of the cost. Yes, it takes a small amount of effort to adjust them when you first get into the car, but I don't even think about it any more. As far as the quality, there is no shedding, no smell, and no discoloration. We have put over 4,000 miles on the car since I put these in, and I have no complaints to register.
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Reviewed in the United States on July 18, 2025
★★★★★ 5
Great article
An excellent article. I use it on my furry cover and it works great. My cover looks fluffy and soft.
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Reviewed in the United States on May 27, 2026
★★★★★ 5
Great for blankets
Great for making sherpa or fur blankets soft again after wash. I imagine it'll work well for fur hoods as well. It did a good job of removing lose hair fibers and the quality is good, even if it's extra spikey. Overall, affordable solution and good looking brush to rejuvenate faux fur
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Reviewed in the United States on August 2, 2025
★★★★★ 5
Great but Pain
It’s alright, does the job as it is supposed to. It’s easy to use and helped fix my Uniqlo jacket that was all matted. It didn't restore it to it's original form however it did unmat it. If I bought this way before and touched up the jacket, I think it would of been perfect to this day still. Maintenance of those jackets are a must! The brush is strong and works well for fluffing it up because of the metal wiring. The only bad parts are that it can hurt if you accidentally poke or scratch yourself, I actually got cut by it when I quickly was brushing. It’s kind of hard to get the lint off the brush but it's better than others and might hurt because of the metal. But overall, it’s a cool tool that makes my jacket fluff again!
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Reviewed in the United States on August 24, 2024
★★★★★ 4
Works well, however…
Purchased this to give life back to my Sherpa backed blankets. This is a well made brush handle is comfortable. The teeth are strong and durable. They did not bend around while I used it and maintained its shape. The problem I guess I’m seeing is that it doesn’t get deep down into the fabric to it’s just a surface “petting”. Maybe if the teeth were further apart or something. But does seem to provide some form of fluff.
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Reviewed in the United States on March 19, 2026