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Description
Eventide TverbTverb was developed in collaboration with legendary producer, engineer and musician, Tony Visconti. The plug in was inspired by the iconic sound of the title track of David Bowie's twelfth studio album, Heroes, recorded in August 1977 in the shadow of the Berlin Wall. With only one track left for lead vocals, Visconti was able to harness the power of Bowie's voice by inventing a stunning recording technique. This technique is the foundation of Tverb.
Tverb was developed in collaboration with legendary producer, engineer and musician, Tony Visconti. The plug-in was inspired by the iconic sound of the title track of David Bowie's twelfth studio album, Heroes, recorded in August 1977 in the shadow of the Berlin Wall. With only one track left for lead vocals, Visconti was able to harness the power of Bowie's voice by inventing a stunning recording technique. This technique is the foundation of Tverb.
Visconti set up three microphones in the hall of Berlin's Hansa Studios, the first for Bowie to sing directly into, a second positioned about 15 feet away and the third further back in the hall. Visconti placed gates on the second and third microphones set to open as Bowie sang louder and louder.
Signature Techniques
Tverb integrates three completely independent lush reverbs with compression and selectable polar patterns on microphone 1 and adjustable gates on microphones 2 and 3. Tverb recreates Visconti's iconic effect as a starting point while adding features that enable new soundscapes and effects. The use of stereo microphones enhances the effect and DAW automation can be used to program the microphones to wander around the hall as the track plays.
Inspiration of the Past/Power of the Future
Tverb was designed with a new level of efficiency for plug-ins. It captures the rich ambience of Hansa's studio 2, the historic Meistersaal concert hall, without burdening your DAW's CPU. Tverb features three independent reverbs, with the ability for the two far microphones to be convincingly placed anywhere in the hall.
- 2 Moveable microphones to adjust reverb size and tone
- Adjustable polar patterns for microphone 1 to adjust the amount of ambient room tone
- Custom Eventide reverb algorithm with EQ, diffusion, and decay control
- Compressor module on microphone 1, just as Visconti had in the original session
- 2 Linkable post-reverb gate modules with control of when the gates close, the speed at which they close and the length of time they are forced to stay open
- Console (inspired by the one used in the session and with Visconti's "grease pencil" labelling) provides post-reverb channel processing for each individual mic and the master
- Room mixer module alters the sound of the room itself with control over decay, diffusion and frequency attenuation
- Signal inversion buttons to remove (or create) phase cancellation
- Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant
- Complete automation support
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.1 ★★★★★
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Product Reviews
★★★★★ 5
Perfect sublimation paper!
Size: 8.5"x11"
The print quality is really good. I’ve had no issues so far. When sublimating, the colors are very vibrant! The paper is very great quality. Definitely worth every penny.
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Reviewed in the United States on May 26, 2026
★★★★★ 5
Crafting Finds 🫶🏽
Size: 11"x17", Size: 11"x17"
The colors pop and it can be used for all kind of custom items.
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Reviewed in the United States on May 18, 2026
★★★★★ 5
Excellent Quality
Size: 11"x17", Size: 11"x17"
This paper is the only paper I have ever tried with my sublimation printer. I get the most vibrant colors with every transfer. I have not experienced any fading even after washing multiple times. I have purchased this paper in letter size, 11x17, as well as 13x19 for use on welcome doormats. I have not been disappointed with any. The paper feeds through my printer without issue whether I load a single sheet, or multiples. So far, I've used it to sublimate on dishtowels, garden flags, welcome mats, t shirts, sweatshirts, and mugs. I am always happy with the finished product. I highly recommend this sublimation paper, and it can usually be found at a great price. I advise you to stock up when you see a sale
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Reviewed in the United States on March 6, 2025
★★★★★ 5
Nice
Size: 8.5"x11"
Very good paper. It prints very well on the products
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Reviewed in the United States on April 21, 2026
★★★★★ 5
Best sub paper!
Size: 8.5"x11"
This is actually my second box of this paper I purchased. I use it that much! I like it that much! It works easily through my Epson 2850. The sub ink transfers to this paper with vibrant colors before pressing. I like the ASub print on the back to help me load the paper correctly in my printer. The ink does not bleed through the paper. I like that this paper comes in a plastic bag and in a box. This is helpful to keep the moisture out of the paper. The paper is durable as I try to manipulate on my substrate.
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Reviewed in the United States on January 12, 2024
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