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Art, Misuse and Technology

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Art, Misuse and TechnologyIn Art, Misuse and Technology: Michel OConnells System Interference John Roberts provides a wide ranging and compelling analysis of Michel OConnells artistic deflation and subversion of technical systems. Addressing current debates on digital culture, the posthuman and computational reason, Roberts examines the relationship between the power of the technosystem we use and inhabit on a daily basis and the critical demands required to being a technical

In Art, Misuse and Technology: Miche‡l OÕConnellÕs ÔSystem InterferenceÕ John Roberts provides a wide-ranging and compelling analysis of Miche‡l OÕConnellÕs artistic deflation and subversion of technical systems. Addressing current debates on digital culture, the posthuman and computational reason, Roberts examines the relationship between the power of the technosystem we use and inhabit on a daily basis and the critical demands required to being a technical-literate artist. Artists are no longer simply defined by the tools they use, but by their comprehension and navigation of the ways in which Artificial Intelligence shapes and defines the cognitive and visual parameters of our world. As such artists are as much concerned with what Ôthinking machinesÕ delimit as with what they enable. OÕConnell operates, Roberts argues, in this gap, through combining a technical understanding of the algorithms that govern our work practices, social relationships and desires, and a robust, comedic, refunctioning of their claims for efficiency and reason. In this Roberts calls for a critique of computational reason that positions artists as part of a wider struggle around the non-dominative and anti-instrumental uses of technology.

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John Roberts is a philosopher, art theorist and playwright, and Professor of Art & Aesthetics at the University of Wolverhampton. He is the author of a number of books including: The Intangibilities of Form: Skill and Deskilling in Art After the Readymade (2007), The Necessity of Errors (2011), Photography and Its Violations (2014), Revolutionary Time and the Avant-Garde (2015), The Reasoning of Unreason: Universalism, Capitalism and Disenlightenment (2018) and Capitalism and the Limits of Desire (2021). He lives in London.

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SKU: 99859252959

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keeps the remote from escaping between the couch cushions.
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The remote control cover fits ideally on the remote for the Apple remote but it’s not fluorescent the color is very dull I didn’t bother sending it back because it’s really not worth it for what I paid for these basically this little remote cover just protects the remote from getting damaged .
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I normally don't review items unless I am very impressed or feel I need to review to warn others of a particularly poor product. In this case I am highly impressed! Great price (compare to others made from plastic), well designed and quality construction. Simple but quite effective. Quality wood support, smooth sanded and beautifully finished.. The wood support is designed and created to properly support headphones without damage to the headband as a simple hook or peg design might I have a home recording studio and don't want some cheap shlopck headphone holder to damage my $300 headphones in any way. This support is very reasonably priced, and offers 2 ways to mount. Included double sided self adhesive or using a screw through the hole at the top of the metal bracket. Screw mounting hardware is included. The metal bar used is incredibly robust but is well suited aesthetically to complement the wood rest. I would recommend to my friends or anyone who wants a quality, I expensive, and affection headphones holder. Don't hesitate to purchase, you won't be sorry!
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