St. Euthymios the Great (2)
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St. Euthymios the Great (2)

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St. Euthymios the Great (2)Orthodox icon of Saint Euthymius (Efthymios, Efthymius, (2) the Great. Copy of an icon of 14th cent Commemorated January 20. Saint Euthymius the Great who came from the city of Melitene in Armenia, near the River Euphrates. His parents, Paul and Dionysia, were pious Christians of noble birth who after many years of marriage remained childless. In their sorrow they entreated God to give them offspring. Finally, they had a vision and heard a voice

Orthodox icon of Saint Euthymius (Efthymios, Efthymius, (2) the Great. Copy of an icon of 14th cent

Commemorated January 20.

Saint Euthymius the Great who came from the city of Melitene in Armenia, near the River Euphrates. His parents, Paul and Dionysia, were pious Christians of noble birth who after many years of marriage remained childless. In their sorrow they entreated God to give them offspring. Finally, they had a vision and heard a voice saying, Be of good cheer! God will grant you a son, who will bring joy to the churches. The child was named Euthymius (good cheer). St Euthymius's father died soon after this, and his mother, fulfilling her vow to dedicate her son to God, gave him to her brother, the priest Eudoxius, to be educated. He presented the chid to Bishop Eutroius of Melitene, who accepted him with love.

Seeing his good conduct, the bishop soon made him a Reader. St Euthymius later became a monk and was ordained to the holy priesthood. At the same time, he was entrusted with the supervision of all the city monasteries. St Euthymius often visited the monastery of St Polyeuctus, and during Great Lent he withdrew into the wilderness. His responsibility for the monasteries weighed heavily upon the ascetic, and conflicted with his desire for stillness, so he secretly left the city and headed to Jerusalem.

After venerating the holy shrines, he visited the Fathers in the desert. Since there was a solitary cell in the Tharan lavra, he settled into it, earning his living by weaving baskets. Nearby, his neighbor St Theoctistus (September 3) also lived in asceticism. They shared the same zeal for God and for spiritual struggles, and each strove to attain what the other desired. They had such love for one another that they seemed to share one soul and one will. Every year, after the Feast of Theophany, they withdrew into the desert of Coutila (not far from Jericho). One day, they entered a steep and terrifying gorge with a stream running through it. They saw a cave upon a cliff, and settled there.

The Lord, however, soon revealed their solitary place for the benefit of many people. Shepherds driving their flocks came upon the cave and saw the monks. They went back to the village and told people about the ascetics living there. People seeking spiritual benefit began to visit the hermits and brought them food. Gradually, a monastic community grew up around them. Several monks came from the Tharan monastery, among them Marinus and Luke. St Euthymius entrusted the supervision of the growing monastery to his friend Theoctistus. St Euthymius exhorted the brethren to guard their thoughts.

Whoever desires to lead the monastic life should not follow his own will. He should be obedient and humble, and be mindful of the hour of death. He should fear the judgment and eternal fire, and seek the heavenly Kingdom. The saint taught young monks to fix their thoughts on God while engaging in physical labor. If laymen work in order to feed themselves and their families, and to give alms and offer sacrifice to God, then are not we as monks obliged to work to sustain ourselves and to avoid idleness?

We should not depend on strangers.The saint demanded that the monks keep silence in church during services and at meals. When he saw young monks fasting more than others, he told them to cut off their own will, and to follow the appointed rule and times for fasting. He urged them not to attract attention to their fasting, but to eat in moderation. In these years St Euthymius converted and baptized many Arabs. Among them were the Saracen leaders Aspebet and his son Terebon, both of whom St Euthymius healed of sickness.

Aspebet received the name Peter in Baptism and afterwards he was a bishop among the Arabs. Word of the miracles performed by St Euthymius spread quickly. People came from everywhere to be healed of their ailments, and he cured them. Unable to bear human fame and glory, the monk secretly left the monastery, taking only his closest disciple Dometian with him. He withdrew into the Rouba desert and settled on Mt. Marda, near the Dead Sea. In his quest for solitude, the saint explored the wilderness of Ziph and settled in the cave where David once hid from King Saul. St Euthymius founded a monastery beside David's cave, and built a church. During this time St Euthymius converted many monks from the Manichean heresy, he also healed the sick and cast out devils.

Visitors disturbed the tranquillity of the wilderness. Since he loved silence, the saint decided to return to the monastery of St Theoctistus. Along the way they found a quiet level place on a hill, and he remained there. This would become the site of St Euthymius lavra, and a little cave served as his cell, and then as his grave. St Theoctistus went with his brethren to St Euthymius and requested him to return to the monastery, but the monk did not agree to this. However, he did promise to attend Sunday services at the monastery. St Euthymius did not wish to have anyone nearby, nor to organize a cenobium or a lavra.

The Lord commanded him in a vision not to drive away those who came to him for the salvation of their souls. After some time brethren again gathered around him, and he organized a lavra, on the pattern of the Tharan Lavra. In the year 429, when St Euthymius was fifty-two years old, Patriarch Juvenal of Jerusalem consecrated the lavra church and supplied it with presbyters and deacons. The lavra was poor at first, but the saint believed that God would provide for His servants.

Once, about 400 Armenians on their way to the Jordan came to the lavra. Seeing this, St Euthymius called the steward and ordered him to feed the pilgrims. The steward said that there was not enough food in the monastery. St Euthymius, however, insisted. Going to the storeroom where the bread was kept, the steward found a large quantity of bread, and the wine casks and oil jars were also filled. The pilgrims ate their fill, and for three months afterwards the door of the storeroom could not be shut because of the abundace of bread. The food remained undiminished, just like the widow of Zarephath's barrel of meal and cruse of oil (1/3 Kings 17:8-16).

In the year 431, the Third Ecumenical Council was convened in Ephesus to combat the Nestorian heresy. St Euthymius rejoiced over the affirmation of Orthodoxy, but was grieved about Archbishop John of Antioch who defended Nestorius. In the year 451 the Fourth Ecumenical Council met in Chalcedon to condemn the heresy of Dioscorus who, in contrast to Nestorius, asserted that in the Lord Jesus Christ there is only one nature, the divine (thus the heresy was called Monophysite). He taught that in the Incarnation, Christ's human nature is swallowed up by the divine nature. St Euthymius accepted the decisions of the Council of Chalcedon and he acknowledged it as Orthodox.

News of this spread quickly among the monks and hermits. Many of them, who had previously believed wrongly, accepted the decisions of the Council of Chalcedon because of the example of St Euthymius. Because of his ascetic life and firm confession of the Orthodox Faith, St Euthymius is called the Great.Wearied by contact with the world, the holy abba went for a time into the inner desert. After his return to the lavra some of the brethren saw that when he celebrated the Divine Liturgy, fire descended from Heaven and encircled the saint.

St Euthymius himself revealed to several of the monks that often he saw an angel celebrating the Holy Liturgy with him. The saint had the gift of clairvoyance, and he could discern a person's thoughts and spiritual state from his outward appearance. When the monks received the Holy Mysteries, the saint knew who approached worthily, and who received unworthily. When the saint was ninety years of age, his companion and fellow monk Theoctistus became grievously ill.

St Euthymius went to visit his friend and remained at the monastery for several days. He took leave of him and was present at his end. After burying his body in a grave, he returned to the lavra. God revealed to St Euthymius the time of his death. On the eve of the Feast of St Anthony the Great (January 17) St Euthymius gave the blessing to serve the all-night Vigil. When the service ended, he took the priests aside and told them that he would never serve another Vigil with them, because the Lord was calling him from this earthly life. All were filled with great sadness, but the saint asked the brethren to meet him in church in the morning. He began to instruct them,If you love me, keep my commandments (John 14:15). Love is the highest virtue, and the bond of perfectness (Col. 3:14). Every virtue is made secure by love and humility.

The Lord humbled Himself because of His Love for us and became man. Therefore, we ought to praise Him unceasingly, especially since we monks have escaped worldly distractions and concerns. Look to yourselves, and preserve your souls and bodies in purity. Do not fail to attend the church services, and keep the traditions and rules of our community. If one of the brethren struggles with unclean thoughts, correct, console, and instruct him, so that he does not fall into the devil's snares. Never refuse hospitality to visitors. Offer a bed to every stranger. Give whatever you can to help the poor in their misfortune.

Afterwards, having given instructions for the guidance of the brethren, the saint promised always to remain in spirit with them and with those who followed them in his monastery.St Euthymius then dismissed everyone but his disciple Dometian. He remained in the altar for three days, then died on January 20, 473 at the age of ninety-seven. A multitude of monks from all the monasteries and from the desert came to the lavra for the holy abba's burial, among whom was St Gerasimus.

The Patriarch Anastasius also came with his clergy, as well as the Nitrian monks Martyrius and Elias, who later became Patriarchs of Jerusalem, as St Euthymius had foretold. Dometian remained by the grave of his Elder for six days. On the seventh day, he saw the holy abba in glory, beckoning to his disciple. Come, my child, the Lord Jesus Christ wants you to be with me. After telling the brethren about the vision, Dometian went to church and joyfully surrendered his soul to God. He was buried beside St Euthymius. The relics of St Euthymius remained at his monastery in Palestine, and the Russian pilgrim igumen Daniel saw them in the twelfth century.

Reference: O.C.A.

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4.1 ★★★★★
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Diana D
Louisville, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
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Reviewed in the United States on November 22, 2016
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JR
Belleville, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
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Tahoeman
Birmingham, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
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David R. Papke
Pawtucket, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
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DoubtfulReader
Houston, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017

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