SKU: 65978979458

Frontier Stories

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Frontier StoriesBetween 1850 and 1912, the year New Mexico was granted statehood, the Territory of New Mexico was a wild and dangerous place. Homesteaders, cowboys, ranchers, sheepherders, buffalo hunters, prospectors, treasure hunters and railroad men pushing the borders of the western frontier met with resistance from man and animal alike. Native Americans, who had lived on the land defending their boundaries and way of life for centuries, reacted to the wave of

Between 1850 and 1912, the year New Mexico was granted statehood, the Territory of New Mexico was a wild and dangerous place. Homesteaders, cowboys, ranchers, sheepherders, buffalo hunters, prospectors, treasure hunters and railroad men pushing the borders of the western frontier met with resistance from man and animal alike. Native Americans, who had lived on the land defending their boundaries and way of life for centuries, reacted to the wave of outsiders in various ways. The agrarian Pueblo peoples along the Rio Grande largely kept to themselves. Apache, Navajo and Ute tribes sometimes attempted to co-exist with the newcomers but most often they fought against encroachment. Anglo and Mexican outlaws ran roughshod across the frontier and there was no shortage of bears, wolves, mountain lions, blizzards and bad water to unsettle the newcomers. This collection of frontier stories vividly illustrates the range of struggles, triumphs and catastrophes faced by settlers who hoped to tame the land and inhabitants of Territorial New Mexico. Between 1936 and 1940, field workers in the Federal Writers' Project (a branch of the government-funded Works Progress Administration, or WPA, later called Work Projects Administration) recorded authentic accounts of life in the early days of New Mexico. These original documents, published here as a story collection for the first time, reflect the conditions of the New Mexico Territory as played out in dynamic clashes between individuals and groups competing for control of the land and resources. "Frontier Stories," the second in the New Mexico Federal Writers' Project Book Series, features informative background and historic photographs. Forthcoming books in the series include collections on mining and buried treasure, Hispano folk life, and cattle trails and ranching. Ann Lacy, co-editor of the New Mexico Federal Writers' Project Book series, has lived in New Mexico since 1979. She has been an Artist-in-Residence in the New Mexico Artists-in-the-Schools Program and a studio artist exhibiting her work in museums and galleries. She has worked as a researcher and writer for Project Crossroads, specializing in New Mexico history and culture, since 1987. She received a City of Santa Fe 2000 Heritage Preservation Award. Anne Valley-Fox, co-editor of the New Mexico Federal Writers' Project Book series, is a poet and writer who has worked for two decades as a writer/researcher for Project Crossroads. Her publications include "Your Mythic Journey: Finding Meaning in Your Life through Writing and Storytelling," "Sending the Body Out," "Fish Drum 15" and "Point of No Return." "How Shadows Are Bundled" is her latest collection of poems.

Binding Type: Paperback
Publisher: Sunstone Press
Published: 02/15/2010
ISBN: 9780865347335
Pages: 330
Weight: 1.07lbs
Size: 9.00h x 6.00w x 0.74d
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SKU: 65978979458

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This crossbody bag has a clean, classic look that works well for everyday use, errands, travel, or casual outfits where you want something more polished than a basic purse. The north-south shape gives it a slim profile, so it does not feel overly bulky, but it still has enough room for daily essentials like a phone, wallet, keys, small cosmetics, cards, and other small items. The zipper closure is a practical feature because it keeps everything more secure than an open-top bag, especially when walking around, shopping, or traveling. The front and back zippered pockets are also useful for items you want quick access to, like a phone, receipt, lip balm, or transit card. I like that the layout keeps the bag organized without making it feel complicated. The material is mostly PVC with some polyester and polyurethane, so it has more of a coated designer-bag feel rather than soft genuine leather. That makes it easier to wipe clean and more resistant to everyday marks, but buyers should know they are paying more for the brand/style than for leather construction. The bag feels structured and presentable, but it may not have the same long-term aging or softness as a real leather crossbody. For comfort, the crossbody style is convenient because it keeps your hands free and distributes weight better than carrying a small handbag by hand. It is best for people who want a stylish everyday bag, not someone looking for a large tote or something that can carry bulky items. For pricing, similar branded crossbody bags usually range from about $80–$200, depending on the brand, size, material, and whether it is leather or coated canvas/PVC. At around $180, this is on the premium side for a PVC-blend crossbody, but it is fairly typical for the Michael Kors price range. Overall, it feels worth considering if you like the style and brand name, but value-focused buyers may want to compare sale prices or color options before paying full price.
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