SKU: 2746008471

Calligraphy of the Middle Ages and How to Do It

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Calligraphy of the Middle Ages and How to Do ItThe most fascinating period in the highly interesting history of calligraphy, the Middle Ages saw the origins of many graceful and dramatic lettering designs. You can re create these intriguing medieval styles with the help of this captivating introduction to calligraphy and its user friendly, practical advice. Author Marc Drogin a widely experienced calligrapher and one of the world's leading authorities on the subject offers an unusual approach

The most fascinating period in the highly interesting history of calligraphy, the Middle Ages saw the origins of many graceful and dramatic lettering designs. You can re-create these intriguing medieval styles with the help of this captivating introduction to calligraphy and its user-friendly, practical advice.
Author Marc Drogin -- a widely experienced calligrapher and one of the world's leading authorities on the subject -- offers an unusual approach particularly well suited to beginners. His instructions on the four major hands of the era (early medieval Roman Rustic, early Uncial, Carolingian, and late medieval Gothic Textura) appear alongside a look at the life and times of a major figure from the heyday of the style. You'll learn to write in the modes associated with Julius Caesar, King Arthur, Charlemagne, and Robin Hood, and discover absorbing insights into the lives and careers of these historical figures. In addition, you'll find expert explanations of the appropriate spacing, paragraphing, punctuation, and layout for each hand.
The New Orleans Calligraphy Association commended this work as "extremely well written with clear and precise instructions in making all hands historically correct. Full of historical and technical information for the serious beginning or seasoned calligrapher." If you're new to calligraphy, this unique blend of living history and practical instruction will make you a devotee of the art; it you're already proficient, it will inspire you to new heights.



Binding Type: Paperback
Publisher: Dover Publications
Published: 01/27/1998
ISBN: 9780486402055
Pages: 96
Weight: 0.60lbs
Size: 10.81h x 8.27w x 0.28d
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SKU: 2746008471

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The History of American fascism
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Quality and fierce journalism. Reviving and honoring adherence to a true history and context of American fascism
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Thank you Rachel! I enjoyed this so much, it was an eye-opener. So much I didn't know.
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Reviewed in the United States on February 12, 2026
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Rachel is a very fine writer.
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Elizabeth Bennett
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If we care about racism and white privilege, what should we do?
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One hundred and fifty-two years ago, slavery ended in the United States. And yet the tentacles of that time touch lives every day, all these years later. What can be done to make things better? Michael Eric Dyson, a sociology professor at Georgetown University, and an ordained Baptist minister, suggests that white people who care about the lives of black people should make individual reparations. In his book, Tears We Cannot Stop …A Sermon to White America, Dyson says, “{Black people} built a legacy of excellence and struggle and pride amidst one of the most vicious assaults on humanity in recorded history. That assault may have started with slavery, but it didn’t end there. The legacy of that assault, its lingering and lethal effect, continues to this day. It flares in broken homes and blighted communities, in low wages and social chaos, in self-destruction and self-hate too. But so much of what ails us—black people. That is—is tied up with what ails you—white folk, that is. We are tied together in what Martin Luther King Jr. called a single garment of destiny. Yet sewed into that garment are pockets of misery and suffering that seem to be filled with a disproportionate number of black people.” The book, unlike Dyson’s other scholarly works, takes the form of a worship service, and uses the concept of an extended sermon, or jeremiad, to lead the reader through confession, repentence, and redemption “through the long night of despair to the bright day of hope.” In Dysons’s view, “whiteness is a problem to be struggled with,” and his book is of inestimable value in grappling with the struggle. The book speaks at length of police brutality against black people, and fervently tries to create empathy in white readers. It includes an extraordinary bibliography of books which give insight and voice to black history, oppression, pain, achievement, and lives. And it speaks of reparations, and our responsibility as white beneficiaries of an unequal system, to take concrete actions to right the wrong, the change our country and the lives of our black sisters and brothers and their children. Dyson is imaginative, and has many suggestions for how an individual or group “I.R.A.”—an Individual Reparations Account. We could buy books for black college students, overpay our black accountant or hairdresser, pay the black person who cuts our grass double the amount on the bill, give to the United Negro College Fund, and more. He suggests that faith groups consider giving 10% of their revenues to a church I.R.A. In an interview in the New York Times Magazine, Dyson says, “If the sermon ain’t making you a little bit uncomfortable, it ain’t effective. Look, if it doesn’t cost you anything, you’re not really engaging in change: you’re engaging in convenience. I’m asking you to do stuff you wouldn’t ordinarily do. I’m asking you to think more seriously and strategically about why you possess and what you possess…..you ain’t got to ask the government, you don’t have to ask your local politician—this is what you, an individual, conscientious, ‘woke’ citizen can do. I have read many—though surely not all—of the books Dyson recommends. I have grappled with white privilege as a mother of black children, a fighter against apartheid, a civil rights activist, a human being. I have never read anything which more cogently offers “woke whites” a path to being a part of the change. I urge you to read Tears We Cannot Stop …A Sermon to White America, and to take your place in the pantheon of people who help this country grow beyond its racist past.
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Reviewed in the United States on January 23, 2017

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