SKU: 24656279717

5x/1x Stainless Steel Makeup Mirror - 2 Finishes - Alfi Brand

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Description

5x/1x Stainless Steel Makeup Mirror - 2 Finishes - Alfi BrandA Stainless Steel frame surrounds this 5x 1x reversible magnifying makeup mirror. It's nice and large with an overall 8" diameter mirror section (including the frame). The concealed mounting hardware gives you a very clean look. The stem and base are made of a zinc alloy that imparts a heavy, sturdy foundation for the mirror section. The double jointed swing arm extends out to 10. 25" and pivots at the base and the "knuckle". The mirror also pivots

A Stainless Steel frame surrounds this 5x/1x reversible magnifying makeup mirror. It's nice and large with an overall 8" diameter mirror section (including the frame). The concealed mounting hardware gives you a very clean look. The stem and base are made of a zinc alloy that imparts a heavy, sturdy foundation for the mirror section. The double-jointed swing arm extends out to 10.25" and pivots at the base and the "knuckle". The mirror also pivots horizontally and rotates vertically in its yoke. Need a certain viewing angle? Easy-peasy! Finished in Polished Chrome or Brushed Nickel.
Features
  • Alfi Brand's LED wall-mounted Makeup Mirror has 5x Magnification power on one side and flips over to no magnification (1x) on the other side.
  • The frame is stainless steel, and the stem and base are a heavy ziinc alloy for solidity.
  • A double-swivel arm pivots at the base, at the "knuckle" and the yoke holding the mirror rotates while the mirror itself adjusts the vertical angle within the yoke - where it flips over completely for the opposite view.
  • Dimensions: 8" Diameter x 9.875" High x 10.25" Extension. 1-Year manufacturer's warranty.
Buyer's Guide

Mirror Buyer's Guide

Magnification: Don't make the mistake of automatically opting for the greatest magnification offered. Most people are surprised to find how strong that might be. Most cosmetic-counter mirrors have 3x or 5x magnification power, but our most popular magnification power is 5x.  Indeed if you have vision problems or you have particularly critical tasks to accomplish, then go for the higher magnification mirrors - we have some up to 15x magnification.  (To give you a basis of comparison, a jeweler's loop is 10x power.)


Factors other than the magnification itself affect the quality of the image you see.  The size of the mirror is an important factor.  When two mirrors with the same magnification are compared, the larger size mirror always wins - both for image clarity and freedom from distortion.

Tilt and Swivel: Every wall mounted mirror we carry both tilts and swivels.  Swivel is usually 360° or close to it.  Tilt is usually 15° up or down - sometimes more.   A double-arm wall-mounted mirror has more capability than a single-arm mirror because in addition to rotating at the mirror pivot, you can also rotate through 360° or almost, at the elbow.


Distortion: All magnification-mirrors distort the image.   If they didn't, they wouldn't magnify anything.  The reason for this is that the mirrors magnify by using bent glass to form a sort of lens which does the magnification.  The larger the magnification, the greater the bend in the glass and the greater the distortion.  The center portion of the mirror, at any magnification level, always has the least distortion.  In a larger mirror, the absolute size of the center section is relatively larger, and therefore the area of least distortion is larger.   This is the main reason a larger mirror is preferable.


Expensive Mirrors: All of our mirrors are high quality mirrors, usually better quality than those found in big-box stores; both for image and finish.  But some of our mirrors are dramatically more expensive than others. The reasons are manifold. The "expensive" mirrors have silver-backed glass forming the image, rather than aluminum-backed glass.   The larger mirror sizes of the more expensive mirrors are much more difficult to produce correctly but once you've seen the difference in the larger image it's hard to go back.   The plating on our Miroir Brot mirrors is thick and perfect, as is the finish itself - tiny imperfections are simply not present.  Lastly, the expensive-mirror frames themselves are solid brass or triple-plated steel and heavily built - as these mirrors are often used in hotels and need to be able to take abuse.


Fluorescent, Incandescent, or LED: The long and the short of this is that it's what you prefer that counts.  All of our fluorescent-lighted or LED mirrors are so noted.


Our mirrors use only color-corrected fluorescent lamps and LED lamps, which approximate daylight or indoor lighting - your choice in most cases. They do not have the green tinge of commercial indoor fluorescent lighting - which people find objectionable. (See full explanation below.) Even so, daylight is not always preferable. Light from incandescent lighting or "regular" light bulbs usually used indoors, is often preferred by many.


A feature of modern fluorescent lamps is that greatly reduced wattage produces light output perhaps four times the wattage consumed - and the lamps stay cool.   LED lamps consume even less electricity, stay cooler and last 50,000 hours on average.  That's 6 years of continuous usage 24 hours a day, 7 days a week.


Lighting color is measured in degrees Kelvin. Running through the spectrum, the higher the Kelvin temperature, the closer to pure white light.  The light on bright sunny day with blue sky measures 5,600° Kelvin.   A very bright day with a cloud-covered sky weighs in at 6,000° Kelvin.  An incandescent (regular) bulb gives off light at approximately 3,200° Kelvin.  This is quite yellow, as evidenced by photographs taken by lamp-light.  But our eyes are used to the color and in most circumstances it looks normal if not pleasing.  By contrast, most fluorescent lighting is a color called "cool white" used because it is the cheapest color to produce. Cool-white is 4,600° Kelvin and definitely green. Any photo taken under cool-whites looks green to the viewer.  A color-corrected fluorescent used in our mirrors usually run between 5,000° and 5,400° Kelvin, and approximates blue-sky daylight.  The closer to daylight color the more expensive the bulb.  


So where does this leave us?   With the exception of cool-white fluorescent, most people find color-corrected fluorescent lamps and most LEDs agreeable, as they do regular incandescent lamps - it's purely a matter of preference.


Switch on Base: Putting a switch on the electrical cord is the cheapest way to include a switch. 99% of our makeup mirrors do not have a switch on the cord - but have a switch on the base or mounting plate of the mirror.


Hardwired Mirrors: Hardwired mirrors are intended to be installed by a licensed electrician and connected to the house wiring.   All of our hardwired mirrors are marked "HARDWIRED" on the website.   Also, all of our hardwired mirrors have a switch on the mirror itself, so your electrician need not install a separate switch.


Electrician's instructions

  • All of our hardwired mirrors have the switch on the base or on the mounting plate. No other switch is required. Also note that each of our hardwired mirrors tilts vertically and swings horizontally.
  • Install a 4" octagon box on a CGFI line, flush with the mounting surface at a height determined by the user. Remember, the center of the mirror is usually higher than the mounting plate center by somewhat more than half the diameter of the mirror frame.  The box should be capable of supporting 10 lbs. (The mirror doesn't weigh 10 lbs., but remember it may be on an arm as long as 20".)
  • NOTE: Hardwired mirrors, once connected electrically, are non-refundable.

Gifts: Makeup mirrors make excellent gifts.  18k Gold or Brass are the best finishes for use in rooms other than bathrooms, while most bathrooms have chrome fixtures, and chrome-framed mirrors should be at the top of the list.  Consider the situation at your recipient's home... their style and preferences, and whether or not they'd want a lighted or unlighted mirror; and if lighted and wall-mounted, whether it should be hard-wired or plug-in.


Bulk Commercial Orders, and Hotels: Let us know what you need, by contacting customer service.


Returns: In accordance with our Refund Policy most mirrors can be returned for a full merchandise refund provided they are returned according to our regular refund procedures.  Custom-made mirrors are non-refundable except for manufacturing defects - extremely rare.  Also non-refundable are hardwired mirrors that have been electrically connected.  A restocking fee of $10 is required for all mirrors with greater than 7x magnification.


Major Brands Only
At PMM we carry only better to best mirror brands.  These even the least expensive of our mirrors will exceed in quality, most of those found at "big-box stores."

99% of our makeup-mirrors are glass (i.e., not plastic) and those that are not are clearly specified.  Similarly 99% of our lighted mirrors have switches on the base or mounting plate - not on the cord.   Vanity-table mirrors all have padded, weighted bases.


  • Aptations makeup mirrors including Kimball & Young, First Impressions, Clear Mirror, and Mirror Image makeup mirrors are an upper mid-priced line of high-quality Makeup Mirrors and come with a 3-year Manufacturer's Warranty.  Finishes include Chrome, Gold, Brushed Nickel, Polished Nickel, and Italian Bronze.  Magnifications run from 3x to 10x with many lighted, reversible, and hardwired mirrors as well as a many cool-running LED-lighted mirrors.
  • Jerdon Style makeup mirrors are a mid-priced line that compares favorably with most in this price range.  Exceptional values may be found in their quality mirrors.
  • Miroir Brot mirrors are made in Paris France and hold the world standard for supreme quality.  A Miroir Brot mirror is truly a luxury for those able to afford one.  Each Miroir Brot makeup mirror is shipped directly to your door from Paris.
  • Sharper Image mirrors have numerous clever and useful innovations in their line of high-tech makeup mirrors.
Magnification Guide

Makeup Mirror Magnification Comparison


These images are an approximation and may not be 100% accurate but they are useful as a basis for comparison. &nbspThe image you will actually see in the mirror is dependent upon several factors in addition to magnification power; including the size of the mirror, the viewing distance from mirror, and the quality of the lens.


Magnification Approximate
View
Viewing
Distance
Focal Length
3x Face, Hair, and Neck 10" - 13" 16"
5x Face and Some Hair or Some Neck 8" - 9" 11"-12"
7x Part of Face 5" - 6" 6" - 7"
10x Eyes and Nose 3" - 4" 3.5"
15x Eyes 2" 2"

There is no industry standard for specifying magnification power for makeup mirrors.  This opens the door to a high degree of subjectivity on the part of manufacturers when they describe the magnification power of their mirrors.  To ensure you're getting what you expect it is best to rely to the integrity of high quality makeup mirror manufacturers.


Don't make the mistake of opting for the highest magnification offered.  Most people are surprised to find how strong that might be.  Many find the 15x and greater mirrors much too strong and the viewing distance of approximately 2 inches, much too close for comfortable viewing.


For comparison purposes, most cosmetic-counter makeup mirrors have magnification powers between 3x and 7x.  Our most popular magnification power is 5x.  Indeed if you have vision problems or you have particularly critical tasks to accomplish, then you may want to opt for an extreme magnification makeup mirror. As an additional reference point: A jeweler's loop, used to inspect diamonds, is 10x power.


Factors other than the magnification affect the quality of the image you see.  The size of the makeup mirror is an important factor.  When two makeup mirrors are compared that both have the same magnification, glass quality, and silver-back quality, the larger size makeup mirror always wins - both for image clarity and freedom from distortion.  There is a simple reason for this.  Magnification is achieved by shaping the glass to a convex lens.  It is impossible to have zero distortion, but the center of the glass/mirror/lens is the point of least distortion.  The larger the mirror, the larger the center, and the less apparent distortion.


The quality of the glass and whether or not it's backed with pure silver or aluminum are two other important factors to consider.  And finally the quality of the material used for the frame and other metal parts is important if the mirror is to be used in a humid location such near a shower or bath.


Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 24656279717

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C. Tucker
Charlottesville, US
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience. Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.) The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.) In conclusion, this book might not be for everyone, but it was exactly what I needed.
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Reviewed in the United States on June 15, 2018
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mrliteral
Lexington, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
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Reviewed in the United States on June 16, 2006
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Arthur E. Williams
Houston, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
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Reviewed in the United States on August 24, 2006
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Chelsea, US
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
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Reviewed in the United States on March 14, 2007
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SteelBlue
San Leandro, US
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
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Reviewed in the United States on December 2, 2005

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