SKU: 18130381919

Paiste 28" Symphonic Gongs

Sale price$661.50 Regular price$735.00
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Description

Paiste 28" Symphonic GongsThis listing does not include a mallet. Note: The video below may contain a gong with or without the Paiste logo or Tai Loi symbols as an example of the Symphonic gong at this size. We recommend purchasing an M4 Paiste Gong Mallet for this gong! You can find them here: Paiste Mallets Paiste Symphonic Gongs are works of sonic mastery. Their flat, scraped surface meets a dark rim that flows back from the face creating a unique shape. They are hand

This listing does not include a mallet.

Note: The video below may contain a gong with or without the Paiste logo or Tai Loi symbols as an example of the Symphonic gong at this size.


We recommend purchasing an M4 Paiste Gong Mallet for this gong! You can find them here: Paiste Mallets

Paiste Symphonic Gongs are works of sonic mastery. Their flat, scraped surface meets a dark rim that flows back from the face creating a unique shape. They are hand-hammered from nickel silver in the European gong-making tradition. They are not tuned but tend to fall within a certain range at a given size.

This style comes with the classic Paiste logo at the top of the face. The presence or absence of the logo will not affect the overall sound of the gong. In choosing, it all comes down to the overlap of your aesthetic preference and gong availability.

This style comes without any logo or printing on the face. The presence or absence of a logo or symbols will not affect the overall sound of the gong. In choosing, it all comes down to the overlap of your aesthetic preference and gong availability.

Going back decades, Paiste has paid homage to the Chinese gong-making tradition by offering some of their Symphonic gongs with the traditional Chinese Tai Loi symbols, which can be roughly translated to English as "The Bad will depart, the Good shall arrive" or more simply, "Happiness has arrived."

The lightweight metal, the unique shape, and the scraped face all combine to create an overall sound that is very clean and meditative, with rich, beautiful harmonics that expand over the deep fundamental tone.

"Symphonic" doesn't refer strictly to the orchestral use of the word "symphony," but goes to the root of the word, to the unity of harmonic sounds and the experience of sound in its entirety. These gongs create a symphony of sounds for the listener. They are perfect for musicians, Kundalini yoga practitioners, sound healers, and therapists working with music and tone.

Looking for a Paiste gong stand and mallet to go with your Paiste Symphonic Gong? Take a look at our combo packages with Paiste C Stands, Square Stands, and Round Orchestra Stands and get a free gong bag!

Item Specifications:
Diameter: 28"
Approximate Weight: 13 lbs

This listing does not include a mallet.

You can find a selection of Paiste Mallets here.

Note: Each of these Paiste Bronze Gongs is unique. Once each one has sold, we won't have another one exactly like it, but we will eventually have more Paiste Bronze Gongs. Please watch the video below to see and hear if this unique gong resonates with you.

Paiste 28" Bronze Gong No. 8 (#LAG050)

Paiste 28" Bronze Gong No. 8 (#KCY343)

Paiste 28" Bronze Gong No. 8 (#LMB712)

Paiste 28" Bronze Gong No. 8 (#CTB926)

Paiste 28" Bronze Gong No. 8 (#RUN826)

Paiste 28" Bronze Gong No. 8 (#MMH207)

Paiste 28" Bronze Gong No. 8 (#ZIP905)

Paiste Bronze Gongs are works of sonic mastery. They are hand-hammered from CuSn8 Bronze- 92% copper and 8% tin - in the European gong-making tradition. Bronze Gongs provide an abundant spectrum of frequencies and harmonics. They are individual, versatile, and spirited.

When the sound of Paiste’s bronze gongs is compared to the same size nickel silver instruments, the bronze ones generally present a lower fundamental note, warmer character, and a more voluminous sound.

Due to the molecular property of bronze, these gongs will change more noticeably over time than their nickel-silver counterparts. The tension release that comes from playing as well as the natural aging of the metal create an evolution of each Paiste Bronze Gong in league with the influence of the gong player.

The design of the Paiste Bronze Gong No. 8, with its concentric, textured ridges is a completely new gong design from Paiste. Playing this gong will be a new exciting adventure for even the most experienced gong player. These gongs maintain a deep, focused fundamental when played at the center but have great potential for finding new sonic layers with all kinds of mallets.

Looking for a gong stand to go with your Paiste Bronze Gong? Take a look at our Paiste C Floor Stands for 28” Gongs or the small Unlimited Lunaphonic Wood Gong Stand! You can find a selection of our Unlimited Gongs Bags, here.

Item Specifications:
Diameter: 28"
Approximate Weight: 13 lbs

Click here for info from Paiste regarding the look of their handmade gongs

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Exchange/Return Notes
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SKU: 18130381919

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Some great ideas in this story but it didn't really work for me. But I know others have loved it..
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Reviewed in the United States on November 14, 2025
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John J. Shea
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★★★★★ 5
A thoroughly-researched, thoughtful, and nuanced work about the 1692 Salem withcraft panic.
Format: Paperback
This graphic novel recounts the 1692 Salem (Massachusetts) witchcraft panic that engulfed Salem, Salem Village (now Danvers), and adjacent communities. About two dozen men and women were convicted and hanged, one was pressed to death (tortured) to try to force him to acknowledge the Court’s authority. That man was Giles Corey, aged 80. The book focuses on him, but it covers others among the accused and executed as well as on the judges, politicians, and other involved. (No so much on the accusers and their motives.). The narrative plays out chronologically with interstitial vignettes in which 19th Century literary figures Nathaniel Hawthorne and Henry Wadsworth Longfellow wander around Salem during the 1800s discussing the trials and their legacy. (Hawthorne lived in Salem for a time and was a descendant or the Court of Oyer and Terminer Judge Hathorne.). The work concludes with a chapter, More Wonders of the Invisible World, that follows how Salem developed economically up to the present day in which witchcraft-related Halloween tourism turns Salem town into arguably the least attractive “tourist attraction” on Cape Ann. (Do not skip this chapter, it is engrossing.) An extensive series of endnotes provide scholarly references and background information. The artwork veers back and forth between caricatures (the 17th century events) and realism (19th century and onwards). In both cases the line art is exquisite. The text includes quotes from transcripts of the trials and other contemporary documents as well as fictional dialog. Wickey worked on this book for more than a decade, and it shows in his thorough scholarship. This is, in all seriousness, Pulitzer/Eisner-level work. Wickey was born in Beverly and resides on Cape Ann. Most of us born and raised on the “North Shore” learn about the Salem witchcraft panic in high school -often as a cautionary tale about politics, spectral evidence, and what we would today call “lawfare.” I thought I knew a fair amount about the 1692 panic, but I learned something new with nearly every other page. I was especially glad to see Wickey cover now-debunked ergot-poisoning theory and that he dismissed the vile slander that some among the convicted and executed were actually witches. There’s nothing really “missing” from the book, though one wishes one could learn more about the fates of the accusers other than Ann Putnam. That their motives appear to have been “sport” is bone-chilling fully three centuries later. Read her "apology" years later and try not to think, "psychopath." At 500 plus pages, it's too long to read at one setting, but it is a pleasure to read at shorter intervals.
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★★★★★ 5
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Format: Kindle
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Reviewed in the United States on January 12, 2026
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I bought this book for my husband as a Christmas present and he enjoyed the book!
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