SKU: 4921420914

Festool KS 120 REB-Set-UG Kapp Zugsäge KAPEX 1600W 260mm ( 575313 ) + Untergestell + Zubehör

$1288.62 $1431.80
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Ships within 48 hours · Estimated delivery Jul 13 - Jul 18

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For Your Every Summer RSVP, with Code: SUMMER15

Description

Festool KS 120 REB-Set-UG Kapp Zugsäge KAPEX 1600W 260mm ( 575313 ) + Untergestell + ZubehörLieferumfang: 1x Kapp Zugsge KS 120 REB KAPEX ( 575302 ) 1x HW Universal Sgeblatt W 60 1x Winkelschmiege SM KS 1x Werkstck Klemme KL KS 120 1x Innensechskantschlssel SW 6 1x Bedienungsanleitung 1x Kappanschlag KA UG KS 120 R L ( 497514 ) 2x Maskala 2x Teleskopauszug mit Skala 2x ausklappbarer Standfu 1x Gebrauchsanweisung 1xUntergestell UG KAPEX KS 120 ( 497351 ) 2x Transportrollen 1x Bedienungsanleitung Produktbeschreibung: Die KS 120 REB ist die

Lieferumfang:

- 1x Kapp-Zugsäge KS 120 REB KAPEX ( 575302 )
- 1x HW Universal-Sägeblatt W 60 
- 1x Winkelschmiege SM-KS
- 1x Werkstück-Klemme KL-KS 120
- 1x Innensechskantschlüssel SW 6
- 1x Bedienungsanleitung 
- 1x Kappanschlag KA-UG-KS 120-R/L ( 497514 )
- 2x Maßskala
- 2x Teleskopauszug mit Skala
- 2x ausklappbarer Standfuß
- 1x Gebrauchsanweisung
- 1xUntergestell UG-KAPEX KS 120 ( 497351 )
- 2x Transportrollen
- 1x Bedienungsanleitung

Produktbeschreibung:

Die KS 120 REB ist die neue Version der erfolgreichen KS 120 EB. Die beliebte Kapp-Zugsäge verfügt jetzt über eine weit ausziehbare Tischverbreiterung für lange Werkstücke und über eine neue Winkelabstützung. Sie besticht durch Ihre beeindruckende Schnittkapazität sowie durch das geringe Gewicht. Durch Ihr kompaktes Design benötigt Sie wenig Raum, die Mobilität und die wechselnden Einsatzorte sind ein großer Vorteil. Dank der Sonder-Kappstellung können Deckenabschlusslesten genauso wie Kranzprofile in original Wandlage gesägt werden. Die intergrierte Sonder-Kappstellung ermöglicht Schnitttiefen bis max. 120 mm. Der Doppellinienlaser und die Winkelschmiege sorgen für genauste Ergebnisse und eine fehlerfreie Winkelübertragung. Die zweifach kugelgelagerte Doppelsäulenführung und die von vorne bedienbare Feineinstellung für millimetergenaue Einstellung des Sägeblattes lassen Arbeiten auf höchsten Niveau zu. Materialgerechtes Arbeiten ist dank der FastFix Funktion kein Problem. Durch die Schnellbremse beim Hobeln, Sägen und Fräsen ist eine maximale Sicherheit gegeben. Des Weiteren ist die Maschine durch die prozessgesteuerte Leistungselektronik " Multi Material Control " ( MMC ) mit der regelbareren und konstanter Drehzahl- und Temperaturüberwachung für materialgerechtes Arbeiten ausgelegt. Der CLEANTEC Bajonettverschluss dient als Verbindungselement zwischen Maschine und Sauger. Ausserdem verfügt die KS 120 REB über eine ausgeklügelte Antistatik-Funktion. Der Kappanschlag KA-UG-KS 120-R/L erleichtert die Anwendung der KS 120 erheblich. Dank des Teleskopauszugs ist eine maximale Maßlänge von 240 cm pro Seite möglich, die Länge des Auslegers ohne Teleskop ist 148 cm. Um schnell und effizient arbeiten zu können ist eine Maßskala angebracht, darüber hinaus sind wiederkehrende Schnitte dank des Anschlagreiters kein Problem. In der Verbindung mit dem im Set enthaltenden Untergestell UG-KAPEX KS 120 können problemlos Balken und Kantenhölzer abgestützt werden, so ist ein präzises auf Länge Sägen von Leisten und Profilen möglich. Die Arbeitshöhe ist mit 90 cm rückenschonend, ein weiterer großer Vorteil sind die Transportrollen, die dass Bewegen der KS 120 erleichtern. Der Aufbau ist simpel und alleine zu bewerkstelligen, darüber hinaus spart man Zeit und Arbeitskraft. Dank der kompakten Maße der KS 120 und dem Zubehör ist die Mobilität gewährleistet, Baustelleneinsätze oder Montage sind somit kein Problem. 

Technische Daten:

KS 120 REB
Leerlaufdrehzahl: 1 400 - 3 400 min⁻¹
Leistungsaufnahme: 1 600 W
Gewicht: 23,10 kg
Sägeblatt-Ø: 260,00 mm
Schnitttiefe 45°/90°: 215 x 88 mm
Schnitttiefe 90°/90°: 305 x 88 mm
Schnitttiefe 45°/45° (rechts): 215 x 35 mm
Kranzprofil Diagonalschnitt bei 45°/90°: 168,00 mm
Neigungswinkel: 47/47 °
Abmessungen (BxTxH): 713 x 500 x 470 mm
Schnitttiefe 50°/90° (links): 196 x 88 mm
Schnitttiefe 60°/90° (rechts): 152 x 88 mm
Schnitttiefe 45°/45° (links): 215 x 55 mm
Gehrungswinkel: 50/60 °
Sonderschnitttiefe 90°/90°: 60 x 120 mm
Sonderschnitttiefe 45°/90° (links): 40 x 120 mm
Sonderschnitttiefe 45°/90° (rechts): 20 x 120 mm
Kranzprofil Diagonalschnitt bei 90°/90°: 168,00 mm
Arbeitshöhe: 900,00 mm
Anschluss Staubabsaugung Ø: 27/36 mm
Sägen: Unsicherheit (Vibration) K: 1,50 m/s²
Sägen: A-bewerteter Schalldruckpegel Lp: 88,00 dB(A)
Sägen: A-bewerteter Schallleistungspegel Lw: 101,00 dB(A)
Sägen: Gesamt-Schwingungsmittelwert ah: 2,50 m/s²
Sägen: Normenreihe EN 60745: 61029-2-9
Sägen: Unsicherheit (Lärm) K: 3,00 dB
Kappanschlag KA-UG:
Gewicht: 4,60 Kg
Länge Ausleger (ohne Teleskop): 1480,00 mm
Max. Maßlänge: 2400,00 mm
Länge beider Ausleger: 4800 mm
Untergestell UG-KAPEX:
Gewicht: 10,10 kg
Arbeitshöhe: 900,00 mm


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SKU: 4921420914

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Shannon S.
Chelsea, US
★★★★★ 3
Be ready to question everything and everyone…
Format: Kindle
We Used to Live Here definitely nails the creeping sense of dread and paranoia throughout the story. I constantly questioned whether Eve was truly unraveling or if she was the only person actually sensing danger, and the added news articles, interviews, and scientific discussions throughout the book made the atmosphere even more unsettling. I also connected with Eve’s struggles surrounding anxiety, people-pleasing, and past religious experiences, which added an emotional layer to the horror for me. That said, the pacing felt super uneven. Most of the story takes place over only a couple of days, but it dragged at times and honestly felt like it would work better as a movie than a book. Things finally picked up around the 70% mark, but the ending left me wanting much more explanation and payoff than we as the readers received. Overall, this was an eerie, anxiety-inducing read with a fantastic atmosphere, even if the execution didn’t fully land for me.
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Reviewed in the United States on May 19, 2026
A
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Amazon Customer
Alexandria, US
★★★★★ 4
read-this-book-now
Format: Paperback
I liked the pace, the story and the characters. Sadly I found it at the end a bit confusing. I think the book needed more edition work. Otherway, it is a recommendable book if you want horror with a bit of science fiction. Be advised you'll need to use your imagination to understand certain pasages.
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Reviewed in the United States on February 13, 2026
A
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angela
Draper, US
★★★★★ 2
Not even a good read. Pass it.
Format: Paperback
Unfortunately, this book was basically a whole lot of nothing. It was not what I was hoping for, which was on the edge of your seat scary. It was not even alittle scary. Left me with unanswered questions and confused. Sorry..I did not like this book at all.
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Reviewed in the United States on March 6, 2026
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Jennybee
Whiting, US
★★★★★ 5
Easy to read and fall in love with
Format: Hardcover
one of those books that feels less like a story and more like an experience. Ray Bradbury captures the magic of summer, childhood, and all the little things in life we take for granted. I loved the way it blended nostalgia with those bittersweet moments of growing up. It’s slow at times, but that’s the beauty of it — it makes you stop and notice the small details, just like the characters do. For me, it felt like stepping back into a simpler time, but with all the emotions and lessons that still matter today. It’s warm, reflective, and beautiful. A book you don’t just read — you feel.
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Reviewed in the United States on September 20, 2025
K
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Kindle Customer
Omaha, US
★★★★★ 5
Vintage Bradbury
Format: Hardcover
Ray Bradbury August 22nd 1922 - June 5th, 2012 When Ray Bradbury died reactions came from everywhere including from President Obama. Surprising to me, few mentioned the one of his works that meant so much to me and affected my life so deeply. While he was most known to the general public for his science fiction, I found his mostly autobiographical novel Dandelion Wine to be the most impactful. At the same time it best illustrated Bradbury’s incredible command of the language, his ability to stir the imagination, and the way in which he could open windows on life. I couldn’t count the number of times I would reread a single sentence and become overwhelmed with admiration and envy at how he used words to create images in the mind’s eye. All this was particularly on display in Dandelion Wine and its sequel, Farewell Summer. For Bradbury, it couldn’t be just water. “Nothing else would do but the pure waters which had been summoned from the lakes far away and the sweet fields of grassy dew on early morning, lifted to the open sky, carried in laundered clusters nine hundred miles, brushed with wind, electrified with high voltage, and condensed upon cool air. This water, falling, raining, gathered yet more of the heavens in its crystals. Taking something of the east wind and the west wind and the north wind and the south, the water made rain and the rain, within this hour of rituals, would be well on its way to wine.” Essentially, Dandelion Wine is the story of a summer in the life of a twelve year old boy as he comes to understand what it means to be alive. But it is also a time capsule for the year 1928 of life in a small town when everyone’s world was much smaller and more compact. There is horror, love, comedy, wonder, nostalgia, and human relations. Bradbury could find unique ways to describe them all. I first read Dandelion Wine in 1957 when I wasn’t much older than Douglas Spaulding, the central character. It helped me put life in perspective as I was leaving high school. I read it the second time in the early ‘80s when I introduced my daughter to it. Kelly and I sat on our front porch swing one warm summer evening and I read aloud to her the story of Bill Forrester and Helen Loomis. It was all I could do to finish it and when I did we both had tears streaming down our cheeks. Such was the power of imagination and Bradbury’s ability to stroke it to life using just words. I read it the third time in preparation for reading the sequel, Farewell Summer, written 55 years after Dandelion Wine. Like a fine wine, it had only gotten better with age. Appropriately, Farewell Summer was given to me by Kelly and I read it on summer’s eve 2012. It was the perfect beginning for yet another summer. In both books the ravine in Green Town, Illinois, based on Waukegan, Illinois where Bradbury grew up was a central feature. I couldn’t resist going to Googlearth to see if the ravine was real. It was. And, it is still there even after Waukegan had changed from a small town to a satellite of Chicago. I was pleased to simply find I could locate it. But when I zoomed in and highlighted the little tree symbol I found the ravine is now Ray Bradbury Park. Perfect! Dan Winters June 29, 2012
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Reviewed in the United States on October 24, 2013

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