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margaretha leuveling 1738 83 ehefrau von justus tjeenk herman frederik van hengelReproduktion Margaretha Leuveling 1738 83 Ehefrau von Justus Tjeenk Herman Frederik van Hengel Fesselnde Einfhrung Das Werk mit dem Titel "Margaretha Leuveling 1738 83 Ehefrau von Justus Tjeenk" von Herman Frederik van Hengel ist in einen knstlerisch reichen Kontext eingebettet, der von Nuancen und Emotionen geprgt ist. Dieses Gemlde aus dem 18. Jahrhundert zeigt nicht nur die Schnheit des Portrts, sondern auch die persnliche und soziale Geschichte
Reproduktion Margaretha Leuveling 1738-83 Ehefrau von Justus Tjeenk - Herman Frederik van Hengel – Fesselnde Einführung Das Werk mit dem Titel "Margaretha Leuveling 1738-83 Ehefrau von Justus Tjeenk" von Herman Frederik van Hengel ist in einen künstlerisch reichen Kontext eingebettet, der von Nuancen und Emotionen geprägt ist. Dieses Gemälde aus dem 18. Jahrhundert zeigt nicht nur die Schönheit des Porträts, sondern auch die persönliche und soziale Geschichte einer Epoche, die von tiefgreifenden Veränderungen geprägt ist. Durch diese Darstellung lädt uns der Künstler ein, in die Intimität einer Frau einzutauchen, deren Status und Rolle in der Gesellschaft ins Licht gerückt werden. Die Feinheit der Details und die Tiefe der Farben zeugen von einem außergewöhnlichen Können, das die Essenz ihres Subjekts einzufangen vermag. Die Reproduktion dieses Werks ermöglicht es, eine Seite der Kunstgeschichte neu zu entdecken, während sie gleichzeitig einen faszinierenden Einblick in das tägliche Leben der Frauen jener Zeit bietet. Stil und Einzigartigkeit des Werks Der Stil von Van Hengel zeichnet sich durch einen realistischen und sensiblen Ansatz aus, der das einfache Porträt übertrifft und zu einem wahren Zeugnis der Persönlichkeit von Margaretha Leuveling wird. Die Farbwahl, die von sanften Tönen bis zu lebhafteren Nuancen reicht, schafft eine visuelle Harmonie, die den Blick anzieht und Emotionen weckt. Die Haltung der Frau, zugleich anmutig und würdevoll, evoziert eine gewisse Noblesse, während die Details ihrer Kleidung die Eleganz der Mode des 18. Jahrhunderts offenbaren. Das Spiel von Licht und Schatten, meisterhaft beherrscht, verleiht dem Werk eine beeindruckende Tiefe und verstärkt den Eindruck von Lebendigkeit und Bewegung. Dieses Porträt beschränkt sich nicht darauf, eine weibliche Figur darzustellen; es erzählt eine Geschichte, die einer Epoche, in der Frauen, obwohl oft im Hintergrund, eine grundlegende Rolle in der Gesellschaft spielten. Der Künstler und sein Einfluss Herman Frederik van Hengel, niederländischer Künstler, hat sich in der Kunstlandschaft seiner Zeit durch sein unbestreitbares Talent und seine scharfe Beobachtungsgabe etabliert. Sein Werk zeichnet sich durch eine besondere Liebe zum Detail und die Fähigkeit aus, die Seele seiner Subjekte einzufangen. Van Hengel wurde von den großen Meistern der flämischen Malerei beeinflusst, doch er konnte auchShipping Notes
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4.6 ★★★★★
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★★★★★ 2
Be clear that it's a blank journal you create, with brief quotes and thumbnail art
Format: Paperback
If one is looking for a personal journal of empty lined pages ~ and a brief Lilias Trotter quote with a thumbnail-size photo of her art on each page then this is for you. I understood it was a book of her journalling with more viewable-size sketches.
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Reviewed in the United States on May 13, 2022
★★★★★ 5
When and where economics went wrong
Format: Paperback
This is one of those books that can provide an epiphany to the reader -- but not very many American readers have even heard of it, unfortunately. That could be due to it's being a book primarily about English economic history, with assumptions that the reader is familiar to some extent with things like the Poor Laws and Tory socialism. But I wasn't, and was still able to glean some great insights from the work. That could be because Polanyi is not afraid of repetition. :-)
A key insight, and the one that could be summed up as the theme of the book, is Polanyi's realization that prior to about 1830, the market and the economy were considered part of society. That is, economic activity was something that people did along with everything else they did, like engage in social/familial relationships, religious rituals, etc. But with the 1830s came a paradigm shift: the advent of rational capitalism. Now, the market was considered an entity by itself, outside of society. This market entity was viewed as governed by universal laws. Like laws of physics, these market laws were independent of culture, independent of social group, independent of time period, and, in fact, independent of human behavior. While any observer of human nature would say that people often make decisions for emotional reasons -- and modern neurological research shows that virtually every decision we make is a combination of the rational and the emotional -- these market laws assumed only rational behavior on the part of economic actors.
Though Polanyi doesn't mention it, it's now easy to see how Alfred Marshall could get carried away with creating a mathematical foundation for microeconomics and how Leon Walras could, reportedly, say that if something couldn't be studied mathematically, it wasn't worth studying. There's no current way to model emotions with math, and so the Ricardian prototype of an emotion-less economics continues into the modern economics of today.
These universal market laws frees the market from any social constraints. A number of modern neo-classical economists assert that this makes economics purely amoral, i.e., without regard for any ethics. Therefore any attempts by the public, by politicians, or by workers to add ethics to the market is an interference with pure market workings, which, according to their interpretation of Adam Smith's "invisible hand", will produce optimal results if just left alone. But Smith never said that, and in fact rational capitalism, in elevating greed and selfishness to the status of goals -- see the Ayn Rand work "The Virtue Of Selfishness" -- is, IMO, not amoral at all, but rather is a morality of its own.
Anyway, back to Polanyi's insights. Another key one is the concept of a "double movement" in 19th century England. Each move to create a purer market created an ad-hoc counter move. E.g., Ricardian free trade was faced with opposition from workers losing their jobs and local firms losing business Americans can easily think of another example: where the employment of children (eventually) led to laws restricting that employment, simply because human beings have too much of a sympathetic nature to sit still for children losing limbs in the dangerous factories and mines of the time. Polanyi notes that capitalists often blame these anti-capitalist laws on planned activity by socialist anti-market groups, but he says they're actually the result of the recognition by the general public that they don't want to live under a pure market system.
Yet another good insight is Polanyi's recognition that market laws treat labor, land, and money as commodities. We can see that today, where neo-classical economists assert that the law of supply and demand should apply to workers as it applies to anything else in the economy. That is, if there's a surplus of workers in one area and a shortage in another, supply and demand dictates the flow of workers from the one area to the other. But a laid-off textile worker in South Carolina is not going to move to China for a job. That's my own example, but Polanyi offers his own from modern English history.
The book isn't perfect. Polanyi does have a tendency to generalize, a common failing among authors, IMO. E.g., in discussing the rise of fascism in the 1930s, he's on very shaky ground when he starts talking about the US or about Russian policy intentions during that period.
I gave The Great Transformation 5 stars because, even with its faults, the reader will be thinking about Polanyi's insights for some time to come. I am.
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Reviewed in the United States on May 18, 2009
★★★★★ 5
Not light reading but worth it
Format: Kindle
Much of this book was heavy reading for me, mainly due my not being familiar with the background development and history of various economic theory and associated laws over 500 or so years of British history. I did stick it out and am glad I did. There are many insights as to how we have arrived at today and the book is still relevant even though it was written in 1942. I found the last few chapters and the comments in Sources to offer the most explanations to fit modern times especially with regard to the rise of fascism. Thick but worth it.
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Reviewed in the United States on May 6, 2025
★★★★★ 4
Interesting anthropology and critique, but dense and obtuse writing
Format: Kindle
The good part is that at the end of the day, I learned a lot here, and Polanyi raised a lot of very interesting and under-discussed historical points to create his argument. It felt very similar to David Graeber (or I guess Graeber is similar to Polanyi) in that way.
The bad part is that, whereas Graeber writes with exceptional clarity and vividness, Polanyi is obtuse and dense. And I've read other books from this era, I don't think it's the time. I think it's Polanyi's writing.
Beyond that, his work serves more as analysis than prescription. It's a bit unclear exactly what he's advocating for. Which maybe is OK, though I prefer when non fiction writers offer solutions rather than just pointing out problems.
All in all, if you can settle in with his writing, there are definite gems in there.
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Reviewed in the United States on June 5, 2026
★★★★★ 5
Inspiring analysis of economic history
Format: Paperback
Polanyi presents economic history through an analysis of the "utopian" catastrophy of the self-regulating market economy.
Polanyi argues that the free market economy treats the most essential elements of human society - labor, nature, and money - as if they should be exploited like commodities. When liberalism (free marketeerism) rules, then the economy dictates what is possible in human society, and these rules are intolerable because they create conditions under which humans are impoverished and disempowered.
In his final chapter he lays out the battle ground between liberalism and its alternatives, which when he was writing (1945) were socialism and fascism. Fascism refuses the dictates of economic liberalism but substitutes in its place the dictates of a state that denies individual freedom. Socialism, alternatively, holds the only promise of true freedom for the individual where economic and political rules are developed and enforced democratically for the protection of society.
While this is not an easy read because it demands a background in history, he is a fluent and persuasive writer.
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Reviewed in the United States on February 2, 2023
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